New & exciting Rebrand from across the globe | Marketing Mag https://www.marketingmag.com.au/tag/rebrand/ Australia's only dedicated resource for professional marketers Wed, 26 Jul 2023 01:01:06 +0000 en-US hourly 1 https://wordpress.org/?v=6.3 https://www.marketingmag.com.au/wp-content/uploads/2022/05/MK_logo-80x80.png New & exciting Rebrand from across the globe | Marketing Mag https://www.marketingmag.com.au/tag/rebrand/ 32 32 Muddled ‘X’ rebrand of Twitter kills the blue bird https://www.marketingmag.com.au/news/muddled-x-rebrand-of-twitter-kills-the-blue-bird/ https://www.marketingmag.com.au/news/muddled-x-rebrand-of-twitter-kills-the-blue-bird/#respond Wed, 26 Jul 2023 00:59:19 +0000 https://www.marketingmag.com.au/?p=26607

It’s the week of the rebrand on Marketing, with yet another company deciding that it’s time to shake things up. Twitter is pivoting to ‘X’.

Though the familiar text-driven social media platform is still named Twitter, that is set to change. The company and its high-profile owner Elon Musk recently launched new branding, with a black, white and red theme replacing the light blue. And its iconic logo, the bird silhouette, has been replaced by a stylised letter x.

The degradation of Twitter seems final, with even the facade of the once thriving platform torn away and the current platform shown without its familiar glow.

The transition to the new branding is fragmented. While the browser version of Twitter shows off its moody ‘X’, on mobile there is no sign of an update. Both the app icon and user interface still have the bird logo.

Issues arose immediately as it looks like rivals Microsoft and Meta own trademarks of the letter x, with that of the latter even relating to software and social media.

Advertising dollars tumble

Already in a tailspin, last month the platform introduced controversial rate caps that limit the number of tweets users could interact with in a given timeframe. Even for those of us not investing in Twitter campaigns it was an annoying move, but for advertisers the hammer fell hardest.

With campaigns suddenly restricted, Twitter paid the price. Similarweb recently revealed that Twitter’s ad spend year-on-year had dropped 20 percent in June with traffic down 11 percent for the same period, amounting to an overall ad revenue decline of 50 percent.

It was not a good time for Meta to debut its new rival to the platform, Threads, which launched 6 July to the general public in 100 countries, after allowing influencers and brands a head start of two days to provide an initial wave of content.

What is it with Elon and the letter x?

Musk has a history with this particular letter, which was instrumental in building his career. He was a founder of web 1.0 site X.com, an online bank that became Paypal. The domain name was bought from the company by Musk in 2017, and as of this week, it now links back to Twitter.

Though he may be best known for Tesla, Musk’s most ambitious venture is SpaceX. The commercial rival to NASA charges US$67 million for rocket launches in the marvellous satellite industry.

In 2020, he and then-partner Grimes even named their son X Æ A-12, so the fascination is evident in both professional and personal life.

Without any of this context it could appear to some internet natives that Musk is launching Twitter into a revolutionary direction, because the letter has another, adult, association.

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Glassdoor expands to challenge LinkedIn’s professional communication dominance https://www.marketingmag.com.au/featured/glassdoor-expands-to-challenge-linkedins-professional-communication-dominance/ https://www.marketingmag.com.au/featured/glassdoor-expands-to-challenge-linkedins-professional-communication-dominance/#respond Tue, 25 Jul 2023 03:18:50 +0000 https://www.marketingmag.com.au/?p=26603

An established anonymity platform is giving networking a go, diversifying functionality and revitalising visuals as it expands. Glassdoor has been known as the home of workplace reviews, where anonymity afforded employees the freedom of honesty in ways other platforms cannot offer. 

Now, with a major rebrand from partner agency Koto, the platform has new communicative features to pair with a refreshed style.

“Our work focused on shifting the experience from being a destination purely for insights, into a community for real work talk,” Koto posted on its LinkedIn page.

“Together, we built Glassdoor a holistic identity exuding confidence, transparency, and open-mindedness—positioning the brand as the centre of workplace conversations.”

Expanding beyond the rumblings of disgruntled former employees

Enhanced communication is a functional leap that can help the company branch out to new and more engaged users.

‘Bowls’ are spaces for direct chatting with optional levels of anonymity within companies,  industries or communities, so that professionals can seek assistance with their concerns. Employers can keep tabs on staff expressions, but in small companies this could see the feature gain little traction as identities are easier to uncover.

This follows Glassdoor’s 2021 acquisition of networking app Fishbowl, a natural partnership due to a common ethos of frank feedback. Now named ‘Fishbowl by Glassdoor’, the app has similar offerings to what Glassdoor is integrating into its main service.

“Today, Glassdoor becomes a home for workplace conversations,” says senior creative director Tim Murray. 

“We’re incorporating real talk in real time into our experience.”

Refreshed visuals bring a Glassdoor playful energy

Koto utilised four defining principles to redefine Glassdoor’s representation: “fresh”, “attentive”, “true” and “gutsy”. The theme is precisely refined yet expansive, including vibrant colours, a casual font and prominent motion through animations. 

The centrepiece is a new logo with Glassdoor initials “g” and “d” as quotation marks bookending the company name, permitting a transformation to a minimal form for Glassdoor’s app.

Graphic designer Josep Puy has pioneered a cast of illustrative characters for Glassdoor, creating a series of sketches that “capture a wide range of emotions at the intersection of work and life”, according to Murray. Glassdoor will continue to evolve the project internally.

It’s rebrand season

Another recent platform rebrand came from Rome2Rio, with the company pivoting to a new logo that could better engage its global consumer base.

“The move away from the previous cursive script was a deliberate move to maximise the logo’s readability for our diverse global user base,” Rome2Rio CEO Yesh Munnangi recently wrote for Marketing.

“As more than 50 percent of Rome2Rio’s users are not native English speakers, the new logo’s simplicity and readability are paramount.”

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‘Spill the Tea’ – Tetley appeals to a younger generation https://www.marketingmag.com.au/news/spill-the-tea-tetley-appeals-to-a-younger-generation/ https://www.marketingmag.com.au/news/spill-the-tea-tetley-appeals-to-a-younger-generation/#respond Wed, 01 Mar 2023 23:46:22 +0000 https://www.marketingmag.com.au/?p=25899 Tetley has released an iconic rebranding campaign that aims to reach a new generation of consumers. 

The campaign, developed by 303 MullenLowe, taps into the need for connection and the desire to disclose the truth about something juicy. 

The campaign has adopted the expression ‘Spill the Tea’ used by the younger generation in the hope to unite these consumers over a cup of tea and exchange gossip, secrets, personal confessions, controversial opinions or exclusive news.

The activation is across all film, outdoor, radio and social platforms, aiming to tackle consumers aged between 15 to 35 who don’t view tea as an option when catching up with friends. 

The brand believes that the younger generation chooses to participate in a love affair with coffee, craft beers and non-alcoholic substitutes. To tackle this, chief creative officer at 303 MullenLowe, Bart Pawlak explains the strategy behind the Tetley campaign.

“Positioning Tetley as a catalyst for the type of connection that, if online habits are anything to go by, younger Australians love to indulge in most – sharing hot gossip, scintillating secrets and eyebrow-raising revelations – in a way that is perhaps more present than what coffee or alcohol can offer,” Pawlak says.

“Best of all, we had a ready-made brand platform, entrenched in the target audience’s current vernacular. All that was left for us to do was spill it.” 

Tetley is appealing to the younger generation by enticing them to have a conversation over a cup of tea. It’s trying to phase out drinking culture and bring in a healthier option.

Managing director at 303 MullenLowe, Joanna Grey, explains the power of tea and phasing out the drinking culture. 

“The fact is, unlike alcohol which comes with a spectrum of consequences increasingly shunned by younger Australians, or coffee which is used more as an accelerant while on the go, tea has the unique power to make people pause, be more present and let the conversation start flowing,” Grey says.

“This is something we identified in the strategy development as a growing need among a generation that’s ironically feeling more disconnected than ever, and knew it would form an important consideration in the creative.”

The rebrand challenge

Tetley is a British tea that is over 180 years old, which has appointed 303 MullenLowe Sydney to lead the rebrand across Australian platforms. 

TATA head of marketing ANZ, Divya Shrivastava, explains the challenges in rebranding a company that is rich in heritage and has an older customer base.

Shrivastava says, “The challenge for us was to find a way to reinvigorate the Tetley brand and in doing so reposition the entire category in the minds of younger audiences – without alienating our loyal 55+ customer base.” 

“The result is a brand platform with a tonality that is unfamiliar in what can sometimes be a conservative tea category, and as such it quite effortlessly elevates Tetley out of the clutter.  And it will no doubt see more Australians Spill the Tea with Tetley.” 

Want to see more creative campaigns? Read how Espolòn Tequila are shaking things up ahead of the ‘Scream VI’ premiere. 

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